White Heron Rises Over Blackwater
by Mary Oliver
I wonder what it is that I will
accomplish today
If anything can be called that
marvelous word.
It won’t be
My kind of work, which is only
putting words on a page,
The pencil
Haltingly calling up
The light of the world,
Yet nothing appearing on paper
half as bright
As the mockingbird’s verbal
hilarity
In the still unleafed shrub in
the churchyard-
Or the white heron rising over
the swamp and the darkness,
His yellow eyes and broad wings
wearing
The light of the world in the
light of the world-
Ah yes, I see him.
He is exactly the poem I wanted
to write.
In June 2012, I wrote a blog post
inspired by this poem and by the images striking me at the beginning of my
service. Now, a week before I leave my site, there are different images filling
my mind, spilling out of me in the form of tears, bursts of laughter, and, now,
words: the poems I want to write.
The wobbling legs of the crew of
toddlers in my host family’s compound who race to greet me and be the first to throw
their arms around my legs.
The two lines on the pregnancy
test and the wide eyes of the young teenager who came to me in search of
medicine for when you haven’t gotten your period.
The streaks in my vision for
hours after standing in the rain to watch the lightning.
The circle of ash and rubble
where my neighbor’s hut had stood just the day before.
The solemn face of the chief of
Khossanto as he pronounced that he would make it illegal to burn mercury
without the retorts we had extended there.
The bottle of water with floating
sticks that I was instructed to drink to cure my stomach ailments.
The red rock of the Spires
jutting out of the mountaintop as we approached and looked for a place to camp.
The flow of women with empty basins towards the water tower on days when the water cuts out extra early, their looks of desperation increasing with every dry faucet they pass.
Flakes of gold in an outstretched palm.
The seven-foot cobra literally snaking up the dry waterfall.
The sealed labia of a woman
undergoing cervical cancer screening and her contorted face as the speculum
entered her radically mutilated genitals.
Seny’s grin as I make a tricky shot
on the basketball court.
The parade of men walking home
from the mines at dusk in Kharakhena, the red dirt covering them a stark
contrast to the gold they had been seeking.
The gang of
girls singing in the neighboring compound, straightening up and switching to
the national anthem once they realized we were filming.
My real mom
and my host mom pulling away tearfully from an embrace that spoke the words
they could not speak to each other.
These are
exactly the poems I want to write.
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